1 "Molest" overstates it considerably. The first few power-ups are traditional harem-comedy accidents, and he's certainly motivated by hormones, but simple physical contact will do the trick, and does later on.

Ecchi, yes, and it's got 1.5 lolis, but not even close to hentai. I don't think he ever does more than touch a clothed breast, although he'd certainly like to. The male teacher's a perv, but he's a very minor character.

And they give a perfectly reasonable explanation for Mone's behavior and limited vocabulary.

-j

2 Pocky's reaction, on seeing this show up on the schedule, was "oh god! We licensed the bad touch anime!"

I leave it to your imagination where he was introduced to the "bad touch" game... ;p

I never saw it in any shape or form. The person who was doing the translation revisions, though, hated it like root canals done by a Getter. "With the fiery burning hatred of ten thousand suns" doesn't even sum it up. Apparently, it's not just creepy, but almost incalculably stupid...

3

Yeah, I wouldn't call any of it "molesting."  Or "bad touch" either.

I thought Yumeria was very, very minor, but fun.  A couple of interesting ideas but nothing to get excited (or upset) about. 

4 Yup, art it ain't. However:

1. the hero gets a grip.
2. he picks one girl in the end.
3. the story is complete, with no significant dangling plot threads.
4. all the cute girls survive, and have better lives after it's over.
5. several decent seiyuu (Mizuki, Mone, Nanase (coughcough)).
6. directed by one of the directors from Banner/Crest of the Stars.
7. decent OP (with song by Mone and Neneko).
8. no significant angst.
9. Mone's one-word vocabulary actually works.

Downsides? The technobabble is dreadful, but fortunately brief. The loli-service is mostly played for laughs, but they do love to zoom in on all of the girls in their tight battle suits. Neneko is an annoying, wise-beyond-her-years loli with no apparent home or family. Silk might as well have a sign taped to her chest revealing her secret. Several episodes exist merely to check off harem-comedy tropes. The "what's really going on" revelation is clumsy, even if it does explain the behavior of Nanase, Kuyou, Mone, and Silk.

-j

5

To me, Neneko was the real icky one.  Not so much her (although she was a little too worldly), as every guy in town seemed to be drooling over her.  Ewwwwww.  One woman even gave her a drink from the bar.  Hello?  Minor? 

Ishigari was an annoying jack***, but he kept getting his, and everyone was on to him, so he couldn't get any where with Moné.  Tomokazu's sister really creeped me out when she got drunk and tried to seduce him, but I guess I've become somewhat innured to sis-cons since then.   (Proof that anime really does rot your mind.)

There was some good humor in the show (the dodgeball game; the error in the school notes), and the twist ending was creepily well done.  Overall, I think I gave it a C.  (Kuyou is one of my favorite "green-haired babes" and almost made my dream team harem.)

6 I've seen a few episodes, and while it ain't high art, it's not particularly objectionable either.  (I'm annoyed by the OP, though, which is almost good bouncy fun but falls a little short in every respect.)

7 Well, maybe I'm being a bit too harsh on it. But it still doesn't sound like a show I'd be willing to spend money on.

8 Oh, sure.  I'm not recommending it.  It's just not the worst thing ever.

9 It can't possibly be the worst thing ever. Strange Love is the worst thing ever. This series doesn't even come close to rating on the "worst thing ever" scale when compared to that pile of...

10 I was going to say that the worst thing ever is Waita Uziga's Death Panda, but after googling Strange Love, I'd say they're pretty close.

11 Come on, you can't possibly mention "worst ever" and not bring up Apocalypse Zero. We screened an episode of that, removed the tape from the VCR, smashed on it, jumped up and down on the remains, and then set fire to them. One viewer cried, "Oh god, burn out my ovaries!"

No, seriously. That's not exaggerated. 100% factual.

1 I always thought that Tsubasa was more of a doujinshi of their other works than something with, y'know, a good story of its own. ;p

2 yES, tHEy Do. Frankly, I'm surprised they made it to 52 eps. The whole concept sounded like a really bad crossover fanfic. Except it wasn't.

3 They got their start in doujins so that's not all that surprising--but yes, that series is on my "don't bother" list for many of the same reasons.

1 -1 Disagree (frowny face, frowny face).

Sure, it's a psychoanalysts' union annual picnic, but it's aware of that.  It's also funny and touching and beautifully presented.

Actually, all that can be said for Nanaka 6/17 as well.

Not that I'm sure you would like those two shows - a teen angst warning applies to both.  Just that they're much better than an ANN summary would suggest.

2 This shows saving grace is that it understands it is wrong and unhealthy.
It is a very well written little show. I enjoyed it a lot.

Its  portrayal of Japanese hand puppet stores captures the creepieness of them superbly

My track record at the accuracy of this next sentence sucks, but but I'll say it anyway as i've lot a good feeling about this one.

I really think Stephen DenBeste would like this show.

3 Well, you botched it instantly, because you spelled my name wrong. (Two mistakes, even.)

4 I disugrii, u spel ur naim rong I am a veri gud spelur.

In all seriousness, I was very dubious about the show myself. It is far better than it had any 'biddness' being. While it's certainly no Van Dread or Slayers, I found it quite solid and engaging.

..and that is all I will say on that.

5

It is far better than it had any 'biddness' being.

Now, where have we heard that before?

6 Popotan. Which still gives me the creeps, though I'm glad I watched it.

1 I liked the original series... a bit.  The rest, I've never bothered with. As for the new series, I watched the first episode, and it's dreck. Pretty dreck, with some nice character designs, but worse, transnationalist one-world, peace-by-any-means dreck.

2 Gundam is incredibly frustrating in all its incarnations.  I won't say it's as bad as Gasaraki, but it makes about as much sense.

In most Gundams (I am not a Gundam expert, but this is my understanding from what I have seen and read), there is generally a nominal "good" and "bad" side.  The heroes are introduced as working for the cause of the "good" side, if not always directly for it.  However, as the series progresses, the line between the sides blurs, and the "good" leaders are shown to be stupid and selfish.  The heroes then begin fighting for "themselves", or "their buddies", or "because that's what soldiers do", with no mention of strategic goals or an end state besides a cease fire.  Psychobabble gets tossed around about a soldier's fate, and why wars are horrible, but we have to have them so that soldiers have something to do, or somesuch.  The series then wraps up with some big doomsday weapon, while distracting the viewer from the bigger picture with personal/romantic plots with the heroes.

About the only character I really enjoy from any Gundam is Duo from (gasp) Gundam Wing; as portrayed, at least, he almost seems to know he's in a poorly-written anime and is determined to have some fun as he gets shuffled from plot device to plot device.

The sad thing is, the original concept--Earth blows billions setting up space colonies, space colonies make massive amounts of money but are unhappy with Earth ownership, racial factors (in some series, the colonists will have Space Nazis, while Earth has the Klan), lots of tension and no clear way to satisfy parties that *should* otherwise be able to get along with each other--fascinates me.  Because, whether the writers know it or not, there are a lot of parallels to the American Revolution (which is not exactly a boring story), and a tight story written with fewer cardboard villains and less pacifistic moaning could really be neat.

But, instead, I expect we'll get more of the same, and my participation will be limited to reading  episode summaries and laughing at them.

3 The original series needs to be viewed in the context of its time.  There had never before been an anime that even attempted to be "serious" science fiction.  The science was harder and the characters more "human" than any SF anime up to that time, by a long shot.  The impact of the series is often forgotten these days, but it was considerable.  SF fans (and with them, the core of otakudom) started watching in droves.  Kids watched it, teenagers watched it, even a lot of adults watched it.  It is arguable that without Gundam, the entire anime industry would have followed a very different path, probably ending up a lot more like ours.

4 One of the things I thought was particularly refreshing about Crest of the Stars was that neither side was portrayed as being "good guys". There was the crazy intelligence guy from United Mankind, but there was also Baron Febdash. Jinto and Lafiel are loyal to the Empire, as they should be, but I didn't get the impression that even they thought their side was somehow more noble, more good than the other. It's just that it was their side and they were staying loyal to it.

5 .One of the things I thought was particularly refreshing about Crest of the Stars was that neither side was portrayed as being "good guys".'   I still disagree on that point. 

The problem is, we're hardwired to be skeptical of anyone claiming to conquer anything, anywhere, anytime for the betterment of mankind. But in that universe, the UM is shown to be racist and xenophobic, through their constant propagandizing about the Abh..  It's also noteworthy that the Abh may intend to conquer the galaxy, but they're patient.  The Triple Alliance attacked them, not the other way around.  I read it to mean their policy is "anytime you're stupid enough to attack us, we'll expand by defeating you.  Eventually we'll rule everything, and that will put a stop to this nonsense."

The Abh generally don't care what the planets they rule do; they basically finance the Empire not through taxation of the planets or citizens, but by the Empress' absolute control of all shipping.  She owns all civilian ships outright, and only Abh crew interstellar-capable ships.  The nobles then finance themselves through selling fuel to the Empress' ships.  (An open question is acquisition of raw resources. Are planets required to supply anything, or do the Abh buy from them, or do they only mine asteroids and dead planets? I don't see how they avoid the first.) 

The control of trade should make it possible to gouge the planets mercilessly, but the Abh seem to be practicing supply-siders. We never see anyone complain that the Abh are bleeding them dry with taxation or gouging them in trade fees.  Grounders are pretty much left to do as they please.  While Febdesh's may exist, they would appear to be the exception. 

6 I'll disagree with that.  Well, not with the racism part, but we don't get to see much of the general attitude of the UM beyond that of 2 worlds that were conquered by the Abh, so I don't know how widespread it actually is.

The problem is, the Abh Empire is... an empire.  Sure, they're expansionist out of an old fear of being wiped out, but that just makes it all the more tragic.  The fact is, the Abh routinely threaten to wipe out all life on entire worlds if they don't knuckle under, even if those worlds are no theat and have no FTL capability.  To harm a single Abh is to see your planet burn.

The Abh impose hereditary dictatorships on their worlds.  The *only* protection billions of people have from a Febdesh--or a Spohr--is the Abh sense of aristocratic nobility.  That's a dang thin veil to stand between you and planetary anihillation.  And as the Abh expand across space, tearing down democracies and dictatorships alike to impose their own feudal monarchy, the number of planets that *will* be oppressed, or outright destroyed, will grow.  Against that threat, signing on to even a racist and xenophobic nation sounds like a good idea.

7 I'd heard about Gundam and how "important" it was for years. I finally watched it and was a bit disappointed. Nevertheless Toren's comments are fully valid and the show was highly influential.

In general I've enjoyed little of it, but the short OAV's 0080 and 0083 were quite well done and the off the wall Turn A, despite the silly Syd Mead mech designs, tells an engaging and upbeat story. (_{Syd Mead should NEVER do mechs..never ever}.)

*************************************
On Ubu's comments regards CotS: I think the Abh may be based on the ideas of Erik Von Kuehnelt-Leddihin. The constitutional monarchy with bit checks on the Monarchy (multiple royal families) to prevent a King George or Ivan the Terrible situation is intriguing.

I think that the Abh should be able to completely supply themselves via asteroid/ comet mining possibly supplemented by mining uninhabitable worlds for, say radioactives or other very dense materials.

One point on the propaganda of the UM, while most of it was xenophobic BS, remember that their most scurrilous accusation...that the Abh were a genetically engineered slave race that killed their former masters...was in fact revealed to be true

8 So, wait:

How is that supposed to cast them in a bad light?  A genetically-engineered slave race. . . *isn't* supposed to rebel and gain their freedom?

9

Metaphysician: Slaves who revolt and kill their former masters are not likely to be looked on kindly by others of the former-master group, wouldn't you think?

Ubu, the Abh were involved in a long-term campaign of conquering and pacifying human worlds even before the war began. Part of why the Alliance started the war was that the Abh had been nibbling away at them for decades.

Martine wasn't part of any of the empires when the Abh showed up, but the Abh found them because the Abh were involved in conquering that section of the galaxy anyway.

And BigD's point is a good one: a noble in charge of a planet has virtually complete autonomy to do whatever he wants with it and with his people. Just look at what Febdash did with his little mansion, and how obsequious all his retainers were. That's not a life I want to live. (Not that he'd have me, of course, since I'm not a young, beautiful woman.)

The Empire gets its revenue from interstellar trade, but I see no reason why the noble who owns a planet would be forbidden to tax it, to whatever extent he feels appropriate. It's true that he makes money from selling fuel, but I doubt that's the full extent of his source of wealth.

I'm not convinced that interstellar trade is the sole source of tax revenue for the Empire, either. You can't finance the kind of war we see being fought through just that. The Empire lost more than 5,000 ships just at the Battle of Aptic Gate. That's a tremendous amount of wealth, yet it was hardly a scratch on the combined fleet that the Crown Prince commanded in that campaign. I think that the Empire must levy taxes on the nobles, who are told "Raise it however you want."

The basic problem with the empire is that it is absolutist. The lowest level of citizens, subjects of some noble, are effectively slaves. It happens to be the case that in many, perhaps even most, worlds it's a benign absolutism but that could change. Anytime there's a generational turnover in the nobility for a planet, you could get a Caligula or a Nero. And the Empire wouldn't care.

Subjects of a planet can escape by joining the Navy, but as soon as they retire they have to return to their home world, and resume effective slaveship. It's only grounders who become officers (like Samson) who are freed from that. Technically they become knights (of which there are millions) and Abh. Any kids Samsom eventually has will, by law, have blue hair and the extra sense organ.

This page talks about some of those things.

(Sigh, topic drift. This was supposed to be a thread about Gundam.)

10

By chance Syd had a table next to me at one of the San Diego Comic Cons, the same year he was working on the Gundam mecha designs.  He had a sketchbook filled with ideas, and after swearing me to secrecy, he happily showed me page after page of ghastly designs.  Syd is a really, really nice guy, so I plastered a smile on my face and nodded brightly, all the while hoping the Japanese designers could salvage something from the wreckage. 

Alas, they could not...or chose not to.  He's kind of a god over there.

11

Well, the topic may have drifted, but it drifted to be of more interest to the readership.

What little I've seen of Gundam did little to impress me, but that was largely because I saw it long after getting into the hobby. Historically, it's significant, but the form has moved so far beyond it, that it now seems more quaint than anything.

And seeing as we've got a mini CotS discussion going...

A couple friends expressed an interest in starting a weekly anime night a couple months ago. We've completed three weeks so far. They expressed an interest in watching a straight sci-fi / space opera last week, so tomorrow night they get their first exposure to Crest of the Stars. I know at least on of them is going to be aggravated that the show it incomplete, but I can just point him in the general direction of the (slowly) translated novels.

12 Steven:


Seems to be propaganda of mixed value, unless your intended target audience doesn't consider 'creating genetically engineered slaves' to be a bad thing.

"Beware the Abh, the want to conquer us all! . . . because we did something utterly horrible to them."

13

Metaphysician: This isn't really a spoiler, so I'm going to stop tagging it that way:

...unless your intended target audience doesn't consider 'creating genetically engineered slaves' to be a bad thing.

If you've studied societies which have relied on slaves, one thing you find is that the free social class considers this to be acceptable, and even justified. It is the slaves' lot in life to serve, and attempting to rise above that, no matter how, is seen as wrong.

So in fact, it would not be difficult in the United Mankind propaganda to make it seem as if the Abh not only had been slaves, but deserved to be slaves, and were not entitled to become free -- let alone entitled to ultimately own and rule all genetic humans. Not a difficult sell at all.

It's not just slaves which are seen that way. That was also the case in feudal societies. The upper classes see the existing order as being how things should be. The lowest class are not seen as equals; they're one step up from animals and they exist only to serve their betters. That was the case in Dark Ages Europe, and that's how it was in Feudal Japan, and in China for most of its history.

In fact, the feudal system as presented in Crest/Banner is patterned on the feudal system as it existed just before the establishment of the Tokugawa Shogunate. The peasants in a given fief belonged to their daimyo for all intents and purposes, who could do pretty much anything he wanted in his own domain. If he was sworn to a greater daimyo, that one might decide to interfere but generally did not do so. For all practical purposes, everyone besides a few samurai were property. Peasants who tried to flee their homeland would be captured and returned, and probably be severely punished.

That was true in Europe, too. Peasants didn't have any choice; they had to stay on the land where they were born -- because without peasants, land is worthless.

14 See, this is why I should check my assumptions more thoroughly before commenting on a series.  Probably comes from science fiction settings with 'aristocratic' governments that exist on top of a prior state of free society, or similar.  More Victorian Britain than Medieval Europe, if in a rather totally different sense.

15 Back on to Gundam, there was some variation. The War in the Pocket OVA went 180 degrees from the 14 year old boy wish fulfillment, with the boy learning how awful war could be. Gundam 08 MS Team was a more realistic look at mecha combat. One of the main chars even destroyed a Gundam with a bazooka (why did everyone else always try machine guns?).

16

Why machine guns? It's part of the genre. I noticed it when I watched Gasaraki: infantry never have appropriate weapons when they fight against mecha. They always use light machine guns and rifles.

Because part of the wish-fulfilment is to walk through a battlefield ignoring all the fire from the puny, weak, humans around you. It isn't very fun if you walk your mecha onto a battlefield and lose it to multiple AP rocket hits almost immediately.

That's one of several things I really hated about Gasaraki, and I gather it's a more generic thing in the genre as a whole.

That kind of assumption is not uncommon in other genres. For instance, in stories about criminals (e.g. Noir) one genre-level assumption is that the police are invariably either stupid or corrupt, and thus don't represent a hazard to the criminals at the center of your story. Two or three times in Noir, Mireille and Kirika leave a really amazing number of corpses behind in some park or other. It never leads to headlines, and they're never bothered by the police.

I'll grant that one, because the genre wouldn't be any fun without it. I assume the same logic is supposed to apply to the problem of infantry in mecha shows, but I won't grant that one. Corrupt or incompetent cops are one thing, but infantry fighting for their lives against enemy mecha aren't going to make a mistake like that.

17

Last comment on C/BOTS: In the end, while I tend to think the Abh are better than their form of government (remember, they do NOT think exactly like us -- a point is made in Banner III about the "obedience gene") the key question is:  "Would you want to be a serf in their empire, or in the United Mankind?"  My opinion of the UM is so low, that I'm not sure.  But I don't think I'd have objected to being a common person on Martine.

As for stupid mechas, well, I kept trying to find an excuse for them in Godannar.  I thought it was interesting that Pops admitted the design was physically weaker.  And at the end, the (male) Dr. Aoi said that it was the connection with the users spirit that made it work the way it did.  Aside from the enormous resources required to maintain one, that would explain whey there were only a dozen or so in the world--only certain pilots could operate one.  

 

18

Crew-served heavy infantry weapons would completely strip away the veneer of invincibility granted to mecha against anything but other mecha or superweapons, and prove just how stupid a concept mecha really are. Hence, the complete absence of crew-served heavy weapons.

Heck, even land mines would be perfect for dealing with mecha.

19

At one point in Gasaraki, the JDF is protecting a certain facility and they know that they will be attacked there by mechas. They prepare their defenses -- but they don't call out engineers to lay any mines. Or do anything else which actually would have a chance of stopping the things.

20 It's not like Hollywood does any better these days.  Their idea of small unit tactics is six guys blazing away in the open on full auto, while screaming at the tops of their lungs.

21 Few things highlight that more than Hollywood's take on Starship Troopers.  Instead of scattered, highly-mobile power armor deployed in fast-moving lines thinner than those used with modern tanks, we have... well, exactly what  you describe.

I would *hope* that things like Band of Brothers would help them figure this out, but I doubt it.  Hollywood groks combat far less than even non-geek anime writers.

22

Ugh.  The sins of that movie are endless.  A prefab fort... under a cliff... with external supports... and no protection for the guys manning the machine guns.  And that's just one scene.

But to combat topic drift...

One of the things that I never agreed with was the various Gundam's ability to either reach or de-orbit with little or no extra equipment.  It was utterly absurd that they could carry that much energy.  I don't care what sort of handwave "science" you use, you've got to have enough energy; if not to counteract gravity, then to cancel it with some scientific bolongnium. 

In Vandred, I was pleased to note that the Vans, while being space or ground units, were not air units.  They required a special "umbrella" shield or a dedicated sled to take the heat of descent, and the umbrella doubled as a (highly improbable) booster rocket to take it back up to space.  The Dreads were space fighters only, and it was thought that the VanDreads were also, until Vandread Jura crashed into the water planet.

Of all the robot series I've ever tried to watch, that one was still the most unique and fun.

23 What Gundam is doing is no more unrealistic than what Mugen/ Shingu/ Nayuta was doing. Muryou, too.

24 So Gumdam 08 MS Team should get point for realism, although it was a member of the Gundam team and not infantry who used the bazooka. In Neo-Ranga, the Self-Defense Forces used tanks, but they were ineffective. (Neo-Ranga looks like a mecha, but is more like a golem.) The Engineering Corps tried digging a pit to trap it, whic almost worked. BTW, what animes explictly have engineers, as opposed to the standard scientific genius?

25 I was referring to "combat engineers", guys who know how to use explosives in war. In real life, combat engineers are extremely important in every significant army, but I've never seen them referenced in anime.

26

I have seen snippets of various Gundam shows, and frankly they just never did it for me.  I want my mecha shows to be either completely over the top ala Goddannar or where the mecha is really just a tool for doing a job.  All of the big mecha shows, Evangellion included  are let down as others have noted by the completely unrealistic tactics employed, and overall lack of realism.  I have yet to find an single manga or anime that realisticly portrays combat, I know that it is hard to do but could some one at least try.  Hell the most realistic portrayal of combat in anime that comes readily to mind is the battle for Lior in FullMetal Alchemist.  Say what you may about the show but the director understood concepts like reconnasence, combined armor-infantry combat teams and the use of cover and concealment, etc etc.

27

Banner of the Stars portrays combat that I thought was completely plausible, but it's fleet actions, not ground action.

28

Hmm, me thinks I will now have to add Banner of the Stars to my depressingly long list of anime I need to get.  I am down with fleet actions, I always thought that was the one kind of combat that tends to get portrayed in at least a semi realistic manner in anime or movies. 

29 It's always my impression that the pacifist undertone of shows like Gundam or what I've seen of Eurkea Seven have something to do with the cultural implications of Japan's formal commitment to a pacifist foreign policy after WWII. Can anyone actually substantiate this vague feeling of mine?

I still find it extraordinary that the same people who could produce the kamikazes could produce stuff like the utopian all war is bad pacifism you find in Gundam. Although series like Gundam have characters who are comparable to the sorts of professional military officers you'd find in any western military--people who take killing seriously, but aren't lost in a state of perpetual existential angst--the focus always seems to be on the adolescent boy who's horrified by what he does, but who, always, strangely enough, is extremely good at it, while suffering from endless angst.

And there's also the extremely odd portrayals of military organizations you find in Anime. The female sub captain in Full Metal Panic for me takes the cake--I don't mind, because I think she's hot--but seeing her as a "captain" is truly preposterous.

Speaking of combat realism in mecha shows, all the comments in the thread are of course right, but Mecha shows for me are like the lightsabers of Star Wars--they allow futuristic technology to be mixed with the more stylized military practices of Feudal aristocracies, i.e. the single hand-to-hand duel with edged weapons. Nostalgia is a powerful thing, and I've always seen the use of humanoid mecha as an attempt to have the whiz-bang benefits of technology, while not feeling completely swamped by the machine. So give them limbs and have them fight like swordsmen at times. Even if it doesn't really make all the much sense. Now, if *that* isn't wish fulfillment, I don't know what is.

30      A large part of that does come from the postwar comitment, on paper at least to Pacifism, this from the country that is generally held to be the number five or six military power in the world in terms of dollars spent and hardware available.  The Japanese like to pretend that by proclaiming a desire for peace they will have peace even though they know that to be a lie.  Really it is very schiztophrenic, with the added complexities of the smeantic footwork that successive Japanese governments have taken to deny their own country's military potential.  I talk about that here and here and a bit more here.  Some related post can be found here, here, and finally here.   Basically the Japanese public is well aware of the massive contradiction that they live with each day, and as a result I think is partly where your angst ridden teen boy who hates the fact that he is good at killing is reflection of the public's own conflicted feelings of being a citizen of a militarily powerful nation, but not liking the fact that they are so, and  this is combined with a feeling of inferiority because that power can not be used and they must rely on the US to protect them.  The strange and often ridiculous protrayals of military personel, wether officer or enlisted comes from the fact that the people writing the shows have probably never actually come into contact with someone who has been in the military.  We don't often realize it but there is a very strong military subculture in the US and it bleeds over into the public at large, peerhaps less so than when conscription was in affect, but it is still there.  The shows are a both antiwar, in the sense that war does in fact suck, people are trying to kill you, and doing so in places that most people would never voluntarily visit, but they are also an expression of the supressed but real desire of the Japanese public to break with the postwar pacifism and exercise the power that their nation posesses, but they don't want to have to pay the costs of doing so, because that would be bad, this is continuation of the postwar drive to make life as comfortable as possible for all so everyone could forget about the bad times before and during the war.   The problem with that is that it creates this expectation that everything, including freedom has a monetary cost, but not a human cost, because that is the kind of thinking that occured during the war.  The taint of defeat still hangs onto the idea of sacrifice of self for nation in Japan because that concept was so widely accepted and followed by the populace right up until the anouncement of the Japanese surrender on August 15^th.  Like I said it is a very schizophrenic situation that is hideously complex and worthy of real scholarly study rather than a quicky analysis at 12:15 AM in a blog comment.

31

RT, I have the feeling that when you typed that you used paragraphs. You need to have Javascript enabled for paragraphing to work.

That Japanese double-think about their past is most apparent to me in how they seem to have a kind of romantic view of what things were like in Japan in the early Taishou era, say around 1921. In a lot of anime it's portrayed as a sort of golden age. There's a big military presence, but the military is viewed in idealistic terms, and the Japan of that era is seen as a world power who deals as an equal with the Europeans in a world of comity. Life at home in Japan is idyllic.

It wasn't actually like that. Japan of 1921 was a police state. Japan did deal with the other great nations but they all resented it. There sure as hell wasn't any comity, and given that everyone in Japan was constantly pelted by propaganda and indoctrination, life at home was far from being idyllic.

And even to the extent that it was like that, it got really a lot worse shortly thereafter. Civilian government was hamstrung by military intervention even in 1921, and by the end of the 20's it was a sham. By the mid 1930's even the pretense was abandoned, and Japan was ruled by the Army.

As to the "comity" part, Japan in 1921 was very, very imperialistic. American "Manifest Destiny" had nothing on Japan's aspirations.

But you won't find any of that in anime. When that era is portrayed, it's peace and happiness and bunnies frolicking in the sunshine. The first couple of times I ran into that misportrayal of that period in anime (Sakura Wars, and then Steel Angel Kurumi) I was offended by it. Now I just take it in stride.

32 The engineering unit in NeoRanga was an actual combat engineering unit called the A.S.E. Explosives had worked well, plus they were in an urban environment (Tokyo). Granted the commander's main goal was building his own mecha and everyone except him and the mecha pilot was a pretty woman.

Raging Tachikoma, how about the combat realism in Shirow Masamune's works? They seem pretty logical.

Another anime with combat fleet actions: Legends of Galactic Heroes. It seems to be in more of a strategic mindset that cost the Japanese navy in WWII.

In contrast to Steel Angel Kuromi, Pumpkin Scissors is set in an analog to Germany after WWI (although they use Japanese military insignia). It's not a police state, but living conditions are pretty grim for most people. The titular unit focuses on war relief.

33

      Mea Culpa, I didn't use paragraphs.  Originally I had ontended to keep it brief but I got going and didn't stop to think about formatting.

       I totally agree with you about the highly romanticized view of Japan in the late Meji to early Taisho period, there is never any attempt made to adress the real issues of the time either the severe political repression and growing military influence in politics or the stark divide between the haves and have nots.

       The duality shows itself best when ever the Japanese talk about security issues, from both sides of the isle you hear about how Japan should be playing a greater role in the world, and she has to carry her own weight.  But when push comes to shove people are quick to hide behind article nine because actually doing something requires making tough choices. 

       As for Shiro Masumune's work, yeah some of it is realistic, but some of it is completely unbelievable.  The Ghost in the Shell stuff is pretty good in some respects, but it is reaslly only ever focusing on one group of highly trained professionals.  Section Nine is nothing but a SWAT team on steroids with a really loose set of rules of engagement.  His portrayal of anything to do with armor tends to fall flat, there is a reason tanks have been using tracks since the first world war.  A tank with legs would be much easier to diable than a conventional design. I won't even try to talk about Dominion Tank Police, which is a cool show that falls into the ridiculously over the top category.

 

1 I don't see the problem.

Panda+Skateboard=Hillarity²
(and very likely the death of a fruit cart if it is a chase scene)

Seriously...there are no real ground pressure issues with this...so what gives?

I mean pandas on skateboards are not MY cup of tea....so your lack of enthusiasm is doubly mystifying.

1 Oh no, your images are greatly enjoyed!

2 If I recall, Ed is in his mid-teens and Al is in his early teens, so voicing them with women worked out all right (the two characters are prodigies, more or less). Plus, I think Al basically stopped growing when his soul was placed inside the metal body. Although I enjoyed FMA, I was never that crazy about it ... for me, part of the problem is that it's a long series, and it's hard to balance a long series properly. I.e., on the one hand, it can't be as neat and perfect as a teacup; it has to have a bit of sprawl. But on the other hand, it shouldn't lose its sense of cohesion or end up with episodes that can be dismissed as filler. I felt that FMA just didn't hold together strongly enough. Another problem was, as you mentioned, the ending, which I found disappointing. And the series did take some strange turns during the later segments. I don't remember them explaining away the magic of alchemy as a science, but I do recall a lot of pseudo-metaphysical mumbo-jumbo, and that stuff never translates well. Of course, none of this stopped me from enjoying the series when I was watching it.

3 Crap, how do I do paragraph breaks?

4 When I was in the Philippines, I saw a couple episodes of Law of Ueki dubbed in Tagalog.

Based on what I'd read in various places, it looked stupid; but the episodes I saw looked pretty decent. I still don't know how interested I am in seeing it, though.

Incidentally, the dubbing was excellent. Why is it that in a country where a doctor makes $400 a month, they get great dubbing, and here, they suck?

AB, use the HTML tag < br > (without the spaces) to get line breaks.

5 It shouldn't be necessary for you to use any manual formatting at all. But it will be necessary if you've got Javascript disabled.

6 (Oh no, my comment got onto the wrong thread!)

7 Hmm, I've got Javascript enabled in my browser ... in case it matters, I'm using Safari 2.0.4. Let me try a couple of br's:

Hopefully this will be in a new paragraph.

8 The spiffy editor isn't compatible with Safari, and the code doesn't have a workaround. You have to enter HTML by hand to get paragraph breaks.

-j

9 What makes FMA work, ultimately, is the strong bond between Edward and Alphonse Elric. The portrayal of their relationship carries the show past some of the clunkier bits of plotting and provides the heart-&-soul of the series overall. If watching the brothers doesn't hold your attention, not much else of the rest will.

I love the series, but I also understand that it's not "for everybody." My days of heavy duty shilling for one show or another are long behind me...

10 I don't recall any "Gainax" changes, though there were surprises along the way as former allies were revealed to be bad guys, and vice versa.  I enjoyed the story, and although I think that overall it had a postive outcome, be warned that it does have its darker moments.  Some of the bad guys are really bad, with body counts to prove it, and some good people do die. 

11 My real problem with FMP is that I keep catching episodes of it here and there on CN when I just have the TV on for background noise. It's not bad (and the dub is unusually good), but it's kind of disjointed in places and seeing the series out of order is a terrible, terrible idea. I still don't really know what sequence of events happens where.

But it's definitely good enough to try, though I don't know that I'd go spending money on it myself.

12 I must admit I'm fairly hesitant to chime in on posts like this. I don't know whether my brief recommendation will actually have the effect of making you even less likely to watch the series. I figure in this case nothing could persuade you to watch FMA. So this is for anyone else who might be on the fence.

I was in the same situation as Avatar_exADV. I'd catch a couple episodes on the TV in the background. However, once I actually sat and watched a few, I was hooked. I went back and watched the whole series. I do agree that about halfway through the writing does a bit of a hiccup and loses it's way for a bit. I've always assumed this was due to the anime outrunning the manga. At that point the show had to come up with it's own story. It takes a couple of episodes, but they do find their feet, and I found the later parts of the series as good as the beginning. The ending did leave a bit to be desired, but I found the movie to be a very soothing chaser. I really loved this series, and all it's characters. Even the side characters are enjoyable. However, it is a very grim series. These poor boys are put through hell multiple times. But I never stopped cheering for them. I really recommend this to anyone who might be on the fence. If you think you might like this, give it a shot.

13 Some people claim that the dud of Edward is better than the original Japanese voice, injecting the world-weariness you'd expect from him but still sounding like a child.

Another interesting thing about the series: no power-ups, even after they get the object every one's looking for.

As for women as continuing characters, in addition to Lust and Risa Hawkeye, the main female is the boys' childhood friend Winry Rockbell. She maintains Ed's automail and beats out Parfet Balblair for the title of cutest gearhead.

14 I never finished watching FMA - it was picked up mid-series, and though the fansubbers did complete it, it didn't show up at AnimeSuki. What I saw of it was pretty good, though I was surprised when I found out around episode 20 that it was a 51-episode series.

I agree with ambulatorybird - Al (the younger brother) is 14 when the main story opens, but he lost his body when he was 10 and in many ways is still a child, and his voice reflects that. Can't speak as to the ending, since I haven't seen it yet. And yes, Winry is a repeating (though not starring) female character and a gifted engineer, so there's something for you there.

Side topic - I've found a good WYSIWYG editor, in some ways superior to Innova, the current Minx editor, that works in Safari and Opera.  Unfortunately much of its functionality is tied up in a PHP backend, and I'll have to somehow port, rewrite, or modularise it to make it available in Minx.  (Which is written in Python and runs on servers that don't necessarily even have PHP installed.)

The system should apply a "convert breaks" filter to comments that aren't made with the WYSIWYG editor (line breaks get converted to <br> automatically) but that's clearly not working, so I'll get that fixed for you.

1

I downloaded the fansubs and gave it a try after reading some of Pixy's comments back in the day. If you're interested in a quick and spoiler-heavy summary, the ending is pretty powerful for what seems like a fairly trite concept.

2 So it isn't actually a hankie-fest after all. Still, I don't think it's my bag.

3 Possibly not.  It is a series that rises above its premise, though, and it also kicks a few holes in the magical girl genre.

Anyway, I have a new episode of Potemayo to watch, so I'm going to take a break for a bit.

4

I don't think it's your bag either, although your tastes have surprised me before.

It's not fifty-two episodes of angst; much of the series is upbeat and positive, and I enjoyed it a great deal.  But I doubt that the trials and tribulations of an up and coming idol singer is really your kind of story.  Also, you really have to like the music, because they reuse it.  They reuse it a lot.

1

It's quite surreal, but how can you NOT like the show when the main character is a duck?

Seriously, though, I've seen a handful of episodes, and while it may be a children's show, it's a children's show the same way CardCaptor Sakura was.

I'd give what I've watched (maybe six episodes) a solid B... a C- if you can't stand ballet.

 

2 Unfortunately, I don't really care for ballet. So that's a problem.

3 Then Princess Tutu is REALLY not for you.  It's as important to the show as snow is to Kanon.

4 The wikipedia article makes it sound like a magical girl show, with dancing replacing fighting to deal with her enemies. Chiaki J. Konaka (Serial Experiments Lain, Magic Users Club) is the writer, if that helps.

1 I just realized that Figure 17 was a MediaBlasters' title as well. I would say, they are at least as good as ADV at selection of titles.

2

They've done some good stuff. They did the first TV season of Ah! My Goddess! But they've also licensed a hell of a lot of total dreck. (Like "Girls High".)

Everyone releases at least a few things that make you wonder. I still wonder why Geneon released Popotan. But I don't think anyone is quite the bottom feeders that MediaBlasters are.

I suppose it's good to have someone like that in the ecosystem. Otherwise we might not have gotten an R1 release of "Noodle Fighter Miki".

(sob) but still, no Magipoka...

3 Muteki Kanban Musume is analogous to 2x2 Shinobuden, which is a RightStuf title in R1, same as Shingu. It's not really a bottom title, in my humble opinion. Of course, if it has such perception, MediaBlasters might have gotten it cheaper, which can only be a good thing. Maybe the aborted manga disaster actually helped here. Very serendipitous!

4 I'm not trying to claim that everything they do comes from the bottom shelf, but I think they go for the bottom shelf a lot more often than anyone else.

5 Shonen-ai and yaoi is experiencing a popularity boom lately with women. They think it's romantic.

1 I My Me! Strawberry Eggs did it better. Slender guy turned into tall, athletic woman, with the help of falsies, expert makeup, and a voice altering widget. Also spawned about a hundred AMVs to the tune of Aerosmith's Dude Looks Like a Lady.

And then there's Pokemon...

2 "It's entirely possible that this series also has a decent story to tell..."

It doesn't.  Shion should also have been a much bigger part of the story.  She was the best of the secondary characters. Instead we got Kona, the ghost, and the school body president, ad nauseum.

3 "What'cha gonna believe, the plot or your lying eyes?"

4 IMHO the people who did I My Me! Strawberry Eggs cheated a bit with the artwork. (I should dig out the DVDs, do some frame grabs, and do a blog post on that...)

Anyway, the male version of the teacher had stronger shoulders than the female version, IIRC, and there were a few other ways they cheated. Remember when the vice principal got a look at "her" cleavage? Push-up bra or no, there shouldn't have been any "there" there!

Still, I enjoyed it. It was pretty good.

5

There is one series (I'm not going to name) which has a reverse trap in it where they absolutely, unquestionably, cheat on the art. In female form, she's got tits bigger than canteloupes and big wide hips. In male form they're nowhere to be seen.

But by the time the reverse trap was revealed in the series, it had already become clear to me that they were pulling out the stops on the cliches and that they knew how stupid it was.

Oh, hell; I'll put the series name in a spoiler tag:

Gravion Zwei