January 22, 2012

Mouretsu Pirates -- ep 3

Sato continues to tell his story in what some may consider to be a leisurely pace, which is to say that he's concentrating on his characters, not on trying to give us visual fireworks. He's got two cours to tell his story, and he isn't in any hurry.

For those like me who are in sync with his rhythm, it's going nicely. In this episode the yacht club begins its trip in the Odette II. After launch from the space station, they deploy their solar collectors.

Words sometimes survive their original use and continue to be used in other contexts. What I'm doing right now is called "typing", even though there isn't any typewriter involved. Indeed, I think it's been ten years since I last saw a typewriter. And I doubt there's a piece of physical type within a mile of here.

The solar collectors are on long mechanical arms, and in a nice conceit they're referred to as "masts", and specific ones are given names like "mizzen-mast". That was clever. Likely a lot of this came from the original light novels, but still credit where credit is due.

Turned out that one of the masts didn't deploy properly. The ship doesn't have any repair bots, so we have to have a space walk. Kane takes the first-year students out to have a look.

The Kane character is surprisingly interesting. Sato isn't falling into the trap of making him a perv, thank goodness. He's surrounded by nubile young things, but he isn't trying to sneak a peek, and isn't really affected by it. When he first introduced himself to the class he informed them that he was married. Whether true or not, the real message was "Don't mess with me." He's got a job to do, and he really is doing it well.

We get a nice example of operations in this one, including the way that the bridge monitors everything, and the way that everyone coordinates with one another. Kane uses the opportunity to help the students learn how these things are done; he doesn't outright take command and give orders -- which he could do. He's the faculty supervisor, and he's spent most of his life in space. But he wants the girls to learn; this is a training mission, after all.

The visuals on the ship continue to be nice. I like this design for the ship's bridge:

/images/05028.jpg

The one on the top left, sitting on the seat that sticks out, is the commander. Marika is sitting next to her and seems to be the helm. (Kane is in the lower right corner with his back to us.)

So we got a problem, and Kane will take six students out to try to fix it. So we get a locker room scene; first fan service of the series -- and not really very explicit.

/images/05029.jpg

And inevitably the suits are rather snug:

/images/05030.jpg

Chiaki continues to be an enigma, but one thing is clear: she wants Marika to become captain of the Benten-maru.

She shows up at the cafe again, to have another parfait. When she walks in, Marika and Mami greet her as "Chiaki-chan!" And she harumphs and says "Chan janai". More or less Don't call me 'chan'.

In terms of the series construction, there's a hell of a lot of foundation being laid in these episodes, but I think the most important thing is development of the relationship between Chiaki and Marika. You can see it happening.

Sato has said that he eliminated all romance from the story. Which suits me just fine. Romance subplots can make for good stories, but usually they're a crutch for writers who don't have anything else to say. It appears that this series has a deep enough story to tell that it doesn't need that.

I continue to be enthusiastic about Mouretsu Pirates.

UPDATE: Chiaki mentioned "the renewal of the Letter of Marque" as an event in the immediate future. What I've put together in my mind is this: if there is a captain from the designated family line, then renewal of the Letter of Marque is automatic. If there isn't, the Letter expires. There were originally several privateers, but by this point all of the other Letters have expired, for whatever reasons. That's why the Benten-maru is the only privateer from that planet still operating.

We don't know when the critical date is, but it doesn't seem to be really immediate. Were that the case, Kane and Misa would be in a lot more of a hurry to get Marika to agree to become captain. So we're probably talking months.

Posted by: Steven Den Beste in General Anime at 11:15 AM | Comments (11) | Add Comment
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1 My guess is that the deal with the Letters of Marque went down somewhat like this (And this is a guess, I've got the episodes a little higher than it's aired but I haven't watched them yet.)
When Sea of the Morningstar issued their letters of Marque, they probably stole the text from somewhere else; maybe from colonial-era Earth, maybe from somewhere else in history.  Whatever original they took it from had a heredity clause that made sense for the original time period, but didn't make sense for them.  There's no reason a country fighting a short-term independence war would need or want a clause like that.   (They could always just issue more Letters if they needed them.)  But they were losing the war and desperate, and honestly not paying a lot of attention.  So they gave Letters with these clauses to anybody who would take them.  And then surprisingly, they ended up winning the war.  So they didn't need any more pirates, and stopped issuing them. 

But the ones they'd issued were still valid, and since they couldn't retract them,  they decided to let them just run out through attrition.  And over the past 100 years the number of pirates has been slowly dwindling as captains die of old age and their heirs move on to pursue careers with less of a chance of being hanged.  Whether there are other privateers or not I'm not certain, but it's a small enough number that Marika had never heard of them, and the other girls think nothing of taking an expensive cruise ship filled with girls who could be ransomed for vast sums of money on a jaunt around the solar system. 

Posted by: tellu541 at January 22, 2012 04:33 PM (pJ1uW)

2

That's about what I figure, too.

And part of the Letter of Marque is that it designates who the privateers are permitted to predate on, and who they are not. Privateers commissioned by this planet aren't permitted to attack ships from this planet, which is why the Odette II is completely safe from the Benten-maru.

I suspect there aren't any privateers who are permitted to attack ships from this particular planet, which is why no one worries about it.

Who, exactly, the Bentenmaru has been attacking hasn't been revealed, but once we find out it's going to open up a whole lot of plot -- because whoever it is, they can't be very happy about it.

Posted by: Steven Den Beste at January 22, 2012 04:41 PM (+rSRq)

3

I've seen complaints that the series is getting some details wrong (stars twinkling in space, the airlock door making noise once the lock is depressurized, etc.), but I really don't think they're trying to make another "2001: A Space Odyssey" here.  It is a "romance," in the literary sense of that word.  The uniform Marika eventually seems to be wearing should make that plain.

What I have been impressed with is that they seem to be doing a good job of conveying the "feel" of a society that's had routine space travel for a long period of time, but not so long that the technology has become "magical."  It's common enough that high schoolers can do it, but it's a business that still needs to be taken seriously.  It's something a lot of more "serious" SF I've watched and read hasn't managed as well.

Posted by: Dave Young at January 22, 2012 09:15 PM (ZAk0Z)

4 Verisimilitude is a fine thing, but not when it gets in the way of good story telling.

Posted by: Steven Den Beste at January 22, 2012 09:25 PM (+rSRq)

5 There comes a point when you remove too much action from the story, proceed at too leisurely a pace, and it becomes a bore-fest.  Yes, he's got two cour, but when the most exciting thing happening in an episode is the dock's breakers tripping, something is wrong here.   I'm not asking for slam-bang action, but I think it's starting to err on the side of too much character-building, and the audience is beginning to wander off.

The title misled people into thinking it was going to be a schlocky fun romp.  I can deal with that, but in the end, this is entertainment.  It doesn't have to be the lowest common denominator, but it needs to draw an audience.

Posted by: ubu at January 22, 2012 11:14 PM (GfCSm)

6 I think there's going to be more action in the next episode. They're going to be making a close pass on another planet in the system. They're also going to be on the far side of the sun from the home planet, in a blind spot. Either they're going to suffer some sort of mechanical malfunction or they're going to get attacked. (That's my guess.)

Posted by: Steven Den Beste at January 22, 2012 11:17 PM (+rSRq)

7 Some of the objects twinkling in space could be objects orbiting Sea of the Morningstar and their albedos could be changing moment to moment.

I was kinda annoyed by the sound of the airlock door opening, but you can notice that all of the EVAers are connected to the hull (by boot magnets?) at that moment so there's an argument for sound conduction through the suits.

Posted by: jdonigan at January 23, 2012 03:49 PM (PKxNA)

8 The airlock door opening sound wasn't mechanical. It was actually the equivalent of a ringtone. You *don't* want to know what some of the other ships' doors sound like...

Posted by: benzeen at January 23, 2012 08:43 PM (R9i5E)

9 By the way: 

Posted by: Dave Young at January 24, 2012 09:13 AM (DYR2Q)

10 Actually, I noticed that too.

Posted by: ubu at January 24, 2012 06:26 PM (GfCSm)

11 Pacing note: the spacewalk appears around 75% into book 1 (the only one I own). I don't think they're skipping over anything significant; the four chapters are "Hakuou Girls Academy High School", "New Homeroom Teacher and Transfer Student", "Relay Station", and "Other Side of the Sun", plus a short prologue and epilogue that share the title "Pirate Course".

-j

Posted by: J Greely at January 24, 2012 07:56 PM (fpXGN)

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