March 17, 2010
One episode to go, but already some comments about it. Spoilers, below the fold:
The biggest problem for anime writers is coming up with believable villains. That means that we have to understand why the villain is doing what he is doing, even if it's something we ourselves would never do.
But creating a solid justification for villainy can be tough, and most of the time they don't bother. They fall back on the old standard, insanity. Or Eeeevil. The villain is doing something bad because, you know, that's what villains do. If the villain had a conscience, she wouldn't be a villain, would she?
"Insanity" can be the basis for a good villain. That was the basis for Friagne, in Shana, and he is one of the very best villains in anime. (Friagne and Cell are my top two of all time.) But that's because Friagne's insanity was coherent. We knew what he wanted, and understood why he was willling to go to any lengths to get it. It was an insane desire, and that's where the insanity came into it. But everything he did derived logically from it. Once you understood his insane goal, everything he did to achieve that goal made sense.
Too often, however, insanity is used as an excuse for incoherence, and that's when it fails and leads to shitty villains.
Kiyama was a relatively good villain, at least in this regard. There's a solid reason for why she created the Level Upper. But Telestina isn't a believable villain; it's clear they're falling back on insanity as an excuse. She was her grandfather's first test subject and it's obvious it's affected her mind and made her eeeevil. Probably there's going to be some sort of explanation of the sort of her wanting to finish her grandfather's work, or some sort of ambition to herself become level 6 and gain the godhead, but it'll all be window dressing. As soon as I saw her cackling, I knew it was all over.
It also lead to her doing the classic "I've got the hero in a death trap so now I'll reveal my grand plan and gloat about it" ploy -- which is a plot excuse for exposition so hoary that it's covered with rust and mold. (The only time I've ever seen it used well was by Toriyama, between Piccolo and imperfect Cell.)
The last episode is going to be action. All the protagonists have been identified, and the prize is clear. The good guys are assaulting the stronghold of the bad guys; and though the good guys are outnumbered they're really strong and very motivated. So it'll be exciting.
But it won't be good story telling.
Posted by: Steven Den Beste in General Anime at
07:25 PM
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Posted by: BigD at March 17, 2010 11:29 PM (LjWr8)
Posted by: metaphysician at March 18, 2010 06:49 AM (DQ9zJ)
Posted by: Steven Den Beste at March 18, 2010 07:07 AM (+rSRq)
Posted by: metaphysician at March 18, 2010 11:11 AM (DQ9zJ)
I think one reason it was pretty cool was because Piccolo was pretending to be defeated in order to trick Cell into boasting about his plan. Once Piccolo had learned everything he wanted, he made clear to Cell that he wasn't in trouble after all.
It was particularly spectacular. Cell had absorbed the energy from Piccolo's left arm, which hung withered and useless. At the end, Piccolo reached over with his other arm and tore the useless arm completely off, then gave a shout and regenerated the limb. That's something Nameks can do.
Posted by: Steven Den Beste at March 18, 2010 11:31 AM (+rSRq)
Enclose all spoilers in spoiler tags:
[spoiler]your spoiler here[/spoiler]
Spoilers which are not properly tagged will be ruthlessly deleted on sight.
Also, I hate unsolicited suggestions and advice. (Even when you think you're being funny.)
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